Green Lady-Massimo

November 7, 2009 by Laura Zuccheri

MassimoMassimo, nickname Green Lady, loves playing organ.

(Oil on canvans 50×40cm).

Chapter 1 : Yama with the Glass Sword

November 3, 2009 by Laura Zuccheri

YAMA WHIT THE SWORD(Watercolours on paper.38×29cm).

Life in swamp

October 12, 2009 by Laura Zuccheri

k2

Evening in Kuruk’s hut. (watercolours on paper, Tome 2).

Utopiales – Festival International de Science Fiction de Nantes

October 5, 2009 by Laura Zuccheri

TREE DUBHPreview from Les Épées de Verre, Tome 2 “Ilango”
(Watercolour on paper)

Cette année c’est un jury d’amateurs de bande dessinée présidé par l’écrivain Pierre Bordage qui décernera le le prix de la Meilleure BD de Science-Fiction.

En effet, en collaboration avec la Bibliothèque municipale de Nantes, un club de lecteurs de BD s’est organisé. Pendant plusieurs mois, il a travaillé à la nomination de 6 albums :

Ikigami, Préavis de mort de Motoro Masse, Asuka, 2009

The Twelve de W.Chris, J-M.Straczynski, Panini Comics, 2009

Fergus d’Agrimbau et Pietro, Atalante 2009

Malinky robot de S. Liew, Paquet 2009

Les épées de verre de S.Corgiat, L.Zuccheri, Les Humanoïdes Associés 2009

Doubt d’Yoshiki Tonogai, KI-OON 2009

L’élection finale tiendra compte des critères suivants : qualité du dessin, originalité du scénario et composition générale de l’oeuvre.

(Tome 2 “Ilango”, watercolour.)

“Le Figaro”

September 25, 2009 by Laura Zuccheri

On the following link, “Le Figaro” comments Les Épées de Verre.

>Link<

ILANGO TOME 2(Tome 2, “Ilango”, watercolors.)

Five albums….

September 24, 2009 by Laura Zuccheri

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… dedicated for concourse “Les Épées de Verre”

September 24, 2009 by Laura Zuccheri

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Karelane, Tome2

September 15, 2009 by Laura Zuccheri

Karelane

Karelane concept is a mixing between Dubrovnik, Lecce and Siracusa. This ancient city is enormous, building on various levels. On high level lives nobility, on middle level lives bourgeoisie and outside boundary wall lives miserambles people. (watercolour 54×25cm).

Digital effects

August 31, 2009 by Laura Zuccheri
kuruk

Kuruk from Les Épées de Verre, Tome 2"Ilango" (Watercolour on paper)

It’s very important for me use colors WITHOUT digital effect. Why? Because the effects must be done with manual drawing color. They are more realistic than digital effects. In cinema the greatest films of ever were done without digital computer effects. For example “2001 Space Odissey” or THX1138. The effects are artisan!!! I use my computer as only work assistant! My originals are “natural”, no digital effects except first and second box in “planche 1″ of Les Épées de Verre Tome 1 “Yama”.